At the origin of the approach, the book "Imaginary music".
Concrete music consists of composing extraordinary sounds from recorded sounds.
By ear and thanks to digital audio and electroacoustic devices, everyday sounds reveal textures and contours that astonish those who pay attention to them. Thus an unexpected sound universe and a whole artistic potential opens up to the imagination of musicians and listeners.
Feedback on a musical creation in synergy with visual artists: reflections, strategies, achievements, lessons learned.
- Introduction: Hearing while watching
- The experience of analogy
- The constructive experience
- The exhibition in music, and after the exhibition...
- What about the video?
The perception of time during listening, which led to the design of the Randolon rhythm generator to compose the music for the thirteen "Anachronistic Poems", and then often to implement this approach for subsequent creations.