Imaginary music (PRELIMINARY ENGLISH VERSION)
[home] <<summary <preceding next> [Français ]
Absent |
Characterize a sound object which is not audible. |
Acoustic signal |
Shape of the pressure wave which moves the air molecules. |
Acoustic space |
The space of sound signals. The reference marks are the amplitude and the time. |
Anharmonic |
Same as aperiodic. |
Aperiodic |
Characterizes an acoustic signal which has not the shape of a vibration. |
Appearance |
An absent or not existing object becomes present within the sound space. |
Audible |
Perceptible by a listener in the conditions of listening. |
Auditive topology |
Way of describing the space inherent to the auditive perception, that is, by describing every new part of the space relatively to the memorization of the space still looked through. |
Beating |
Series of strenghtenings and weakenings of the sound level due to the mixing of two very close frequencies. |
Close |
Characterizes a sound object the spatial origin of which looks to be close to the listener. |
Color |
The dimension which includes all the distinctive properties of sound objects. |
Complexity of a form |
Is measured by the minimum number of points needed to entirely determine it. As example, the straight line complexity is 2. |
Concrete music |
Music composed from sounds recorded in the real world. |
Continuous form |
Set of juxtaposed points constituting lines or surfaces. |
Decibel |
Logarithmic measure of sound levels. |
Determinist |
Ruled by cause and effect laws, thus, in our words, previsible with certitude. |
Differential threshold |
Minimum sensible differency of the sound level. |
Disappearance |
A present object becomes absent from the sound space |
Discrete |
= quantized (in our words) |
Dithering |
Set of points put on a preestablished weft. |
Dominated |
Characterizes a sound object the audibility of which is reduced by others. |
Dominating |
Characterizes a sound object which reduces the audibility of the others. |
Doppler effect |
Shifting of frequencies due to the emitter and receiver relative speed. |
Duration |
The dimension of the time perceived by the listening subject. |
Envelope |
Shape of the signal amplitude variation in function of time. |
Feedback |
Sending back of a process result toward the control of this process. |
Formant |
Form identifiable on a sound object, applying on its duration, its color or its presence. |
Fractal form |
Complex form resulting from a recursive breakdown of a simple form according to a repetitive process. |
Fundamental |
Lowest pitched frequency composing a periodic sound. |
Harmonic |
1.A frequency multiple of the fundamental of a periodic sound 2.Harmonic signal = periodic signal |
Height |
Frequency of the fundamental of a sound, expressed in Hz or according to a scale. |
Immediate memory |
Function of the memory which automatically and temporarily records perceptions. Synonym : phosphorescent memory. |
Inaudible |
Characterizes a not audible sound object, either because under the audibility threshold, either because masked by other sound object or some noise. |
Indifferent |
Characterizes a sound object uninteresting for the listerner |
Interesting |
Characterizes a sound object interesting for the listerner |
Known |
Characterizes a sound object that the listener identifies. |
MIDI |
(Musical Instrument Digital Interface.) Standard for remote control of electronic instruments, based on the characteristics of an organ keyboard. |
Musical object |
Sound object providing a musical interest. (SCHAEFFER) |
Musical space |
The imaginary space of sound beings. There is no reference mark. |
Musical work |
A duration ranged between two silences that contains an intended set of sounds. |
Noise |
1. Anharmonic sound object. |
Pain threshold |
= saturation threshold. |
Pattern |
Re-usable preestablished form. = texture. |
Perception threshold |
Minimum audibility level, expressed in phones. |
Periodic |
Characterizes a vibrating signal. |
Persistent |
Characterizes an sound being able to be retrieved in the memory. |
Phase |
Time lag expressed in a fraction of period of a periodic signal (a period rates 360° or 2p). |
Physical space |
The trivial space where the listener stands, including some objects and the air which carries the sound. Reference marks are distance, elevation, azimut, and time. |
Pink noise |
Signal having a spectre with a shape of bell, centered on a single frequency (curve of Gauss) |
Predictability |
Ability to be wholly or partially foreseen by a human being. |
Presence |
The dimension for the sound intensity and spatiality as perceived by the listening subject. |
Present |
Characterizes an audible sound object. |
Punctual |
Characterizes a sound object the spatial origin of which looks like a spot. |
Random |
Ruled according to probability density laws. |
Random form |
Set of points randomly arranged, thus according to a density probability law. |
Redundancy |
Extent to which a scheme is repeated inside a form. |
Remote |
Characterizes a sound object the spatial origin of which looks distant from the listener |
Resonance |
Effect of a system which focuses all the energy that it receives towards a single frequency. |
Saturation threshold |
Maximum audibility level, expressed in phones. |
Scaled |
= dithered (in our words). |
Sensibility threshold |
= perception threshold. |
Sound |
Sound object with an harmonic dominance. |
Sound being |
Abstraction of a sound object. |
Sound effect |
Imitation of real world sounds, made thanks to mechanical or electroacoustic means. Mostly includes three plans : the subject, the illustration, the surroundings. |
Sound event |
Appearance or disappearance of a sound object. |
Sound group |
Object constituted from several similar objects. |
Sound landscape |
= sound matter. |
Sound matter |
Set of classical or innovative textures or patterns, imposed or choosed for the composition. |
Sound object |
The shortest audible object able to be individually identified |
Sound space |
The space of perceptible sound objects. The reference marks are presence, color and duration. |
Sound window |
Natural or deliberate boundaries for the three dimensions of the sound space. |
Spectre |
List of the frequencies resulting from the breakdown of any signal into periodic signals. |
Spread |
Characterizes a sound object the spatial origin of which looks like a surface or volume. |
Tone |
Generic color of sounds emitted by an instrument played by a musician. |
Understandability |
Ability to be identified and understood by an human being. |
Unknown |
Characterizes a sound object that the listener cannot identify. |
Visual topology |
Way of describing the space inherent to the visual perception, that is, by a synchronous global vision of the whole space. |
White noise |
Signal having a spectre which includes all the audible frequencies with the same amplitude. |
Imaginary music ISBN 978-2-9530118-0-7 copyright Charles-Edouard Platel
[home] <<summary <preceding top^ next>